Sunday, February 28, 2016

Thyme to paint Yankee Fisherboy Primitive Portrait


Today 
I wanted to show you
 a
 primitive portrait 
that I have painted
called
Yankee Fisherboy Primitive Portrait

Design
 is by
Cynthia Erekson

This portrait 
measures
18" x 23"


Step inside my 
STUDIO 



Lets's get started!


My Palette


Light French Blue, Dusty Rose, Delane's Dark Flesh, Honey Brown, Blueberry, Traditional Raw Umber, Antique Green, Antique Gold, Plantation Pine, Black Green, Country Red, Lamp Black, Light Buttermilk, Deep Burgundy, Antique Maroon, Black Plum, Burnt Umber

LET'S PAINT


Surface Prep


I applied 2 coats 
of 
to my surface


 Let dry completely between coats 
sand lightly
 and 
repeat



I base coated the panel with 2 coats 
of
Light French Blue
sanding lightly between coats



I then traced the pattern
 and 
transferred the ground areas onto the panel

I slowly began to build the color values of the ground sections
The bottom 1/3 of the panel
 is 
slightly darker than the previous section


I dry brushed the water area



I pounced in the "foam" along the top edge
 and
 throughout the water


I used graphite paper
 to
 transfer the remainder of the pattern 
to 
the board


I began by painting the dress Antique Maroon


Shading 
the 
dress



Painting the head, neck and arms


 

Adding some shading to the cheeks



close up view



I have painted
 the 
leggings, shoes 
and 
fish pull toy


I have painted the tree branches




I have painted the details on the fish pull toy
and
painted the fishing pole


I used a silk sponge to pounce the foliage on the trees

I then applied one light coat 
of


I let the varnish dry completely

I then covered the boy with a paper towel
and
spattered the panel heavily around the edges
 with 
Traditional Burnt Umber


( To spatter easily with lots of control , dip just the bristle tips of a large stencil brush into the water and mix a dime size puddle of Traditional Burnt Umber by circling on the palette. Hold the brush over the project and pull some bristles towards you, using pressure, as you move the brush across the area to be spattered. Turn brush in hand to access new paint. Reload as necessary. )

I then antiqued my project 
using 

After my piece was completely dry I applied several more coats
 of
 Dura Clear Ultra Matte Varnish


Now to paint the frame!

I first sanded then sealed my frame
with



When dry I painted the frame with 2 coats of Country Red


Now the DISTRESSING part!

I distressed the corners and outer edges of the frame by filing with a rasp 
to 
flatten and round the crisp corners and edges.
I created some dings and dents in the wood to show "age" using the top sharp corner of the rasp.
I used an awl to create clusters of worm holes on several areas of the frame.


I then mixed a thin wash 
using 
water and Carbon Black.
I painted this over the entire frame making sure that I got it in all the dings and dents.
I wiped off most of the wash leaving the red paint slightly darkened.


I then mixed a glaze 
using 
Traditions Carbon Black, glazing medium and Easy Float1:5:2




I used the flat side of a sponge brush to "press" the glaze onto one side of the frame.
The glaze should not be too heavy and slightly bubbly.
I then wrapped a piece of rope in a paper towel and pressed it repeatedly into the glaze leaving a small space between "presses"
I repeated this process all around the frame.

Let dry completely!


I applied 2 coats 
of 
 to my completed frame


My completed 
Yankee Fisherboy Primitive Portrait





I painted this portrait as part of a set


I wrote about painting 

GLOUCESTER GOOSE GIRL

in my last post



DecoArt provided me with the products to complete this project
 as part of their
Helping Artist and Blogger Outreach Programs





Thank you DecoArt for all the wonderful products to create with!

You can view 
my 
Blogger Profile

I hope you have enjoyed watching me paint

Gloucester Goose Girl Primitive Portrait
and
Yankee Primitive Fisherboy Primitive Portrait




Happy Painting!

Lynn














Monday, February 22, 2016

Thyme to paint Gloucester Goose Girl.....a primitive portrait

Today 
I wanted to show you a project
 that I have been working on 
called
GLOUCESTER GOOSE GIRL
Design 
by 
Cynthia Erekson



This is 
primitive portrait 
measuring 
18" x 23"


My Palette


Light French Blue, Dusty Rose, Delane's Dark Flesh, Honey Brown, Blueberry, Burnt Umber, Traditional Raw Umber, Antique Green, Plantation Pine, Antique Gold, Black Green, Lamp Black, Light Buttermilk, Deep Burgundy, True Ochre, Raw Sienna, Yellow Ochre


Surface Preparation


I prepared my surface 
by first smoothing on one coat
 of 
GESSO 
to 
the front 
of 
the panel




When dry I sanded lightly


I then applied 2 coats 
of 
Light French Blue





I then traced my pattern
 and 
transferred the ground areas
 to 
the panel




Working 
on the 
ground area




I have now painted
 the 
water area

I am now adding 
some
 shading and highlighting 
to 
water and ground

I pounced some "foam"along the waters edge



I have now transferred 
the
 remainder of the pattern 
excluding the details


I am now painting 
the 
dress and collar


I am now painting 
the 
face, neck and arms


I am now working on shading 
the 
dress and collar


I dry brushed the dress to add highlights


Build color up gradually!



I have painted the details
 to the 
face and hair
I also painted
 the 
pantaloons, socks and shoes


I have painted the duck
I used a silk sponge
 to add the 
foliage 
to the trees


I applied a light coat 
of  
to 
my finished piece

I let it dry completely!
I then covered the girl with a paper towel 
and 
spattered all around the outer edges 
with 
Burnt Umber

( To spatter easily with lots of control , dip just the bristle tips of a large stencil brush into the water and mix into a dime size puddle of Traditional Burnt Umber by circling on the palette. Hold the brush over the project and pull some bristles towards you, using pressure as you move the brush across the area to be spattered. Turn brush to access fresh paint. Reload as needed)

Let dry completely!

I lightly antiqued my portrait
 with


Let dry completely!
I then varnished AGAIN using several coats of Dura Clear Ultra Matte Varnish



Now to paint the frame!
I first sanded then sealed my frame 
using


After it had dried completely
 I sanded it again lightly

I then base coated it with two coats 
of
 Country Red
 and 
let that dry


Now the DISTRESSING part!!!

I used a rasp to file the edges and corners of the frame
I added some dings and dents using a hammer and screw driver to show "age"
I then used an awl to create clusters of wormholes on different areas of the frame


I made a thin wash using water and Traditions Carbon Black
I made sure I got it in all the dings, dents and holes
I then wiped off any excess
This process left the red paint slightly darkened


I then mixed a glaze using Carbon Black, Glazing Medium and Easy Float1:5:2




I used the broad flat side of a 2" sponge brush 
to "press" the glaze
 onto 
the frame
I did one side at a time
I then rolled a paper towel around a thick piece of rope
I then repeatedly
 pressed and lifted 
the rope into the glaze
 along
 the edge of frame


I painted the corners of the frame Carbon Black
I just loved the faux finish wood grain look!

This is the first in a set 
of 
2 primitive portraits

My next blog post
 will show 
how I painted 
Yankee Primitive Fisher Boy

DecoArt provided me with the products to complete this project as part of their 
Helping Artist and Blogger Outreach Programs
Thank you DecoArt for so many wonderful products to create with!




You can view my blogger profile 




I hope you have enjoyed watching me paint
GLOUCESTER GOOSE GIRL


Happy Painting!
Lynn

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